How to see the world, Chapter 2 quotes
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| Berserk Demon |
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| Wangechi Mutu, Sentinel |
"Indeed it is noticeable that people today often put more trust in a less than perfect pgotograph or video that takes an effort to decipher than they do into a professionally finished work, because they suspect that the latter will have been manipulated."
- With this quote, it's basically saying that people trust amateur media more than professional content because they suspect manipulation in the latter. People like real things even if they're not perfect, showing they prefer authenticity over polished stuff.
"Seeing the world is not about what we see but what we make of what we see."
- This quote emphasizes how we interpret what we see shapes our understanding of the world. This shows that our experiences and beliefs shape how we see things, affecting our view of reality.
Ways of seeing, John Berger, Chapter 4+5 quotes
"Yet many oil paintings were themselves simple demonstrations of what gold or money could buy. Merchandise became the actual subject-matter of works of art."
- What this quote is saying is that oil paintings often prioritized displaying wealth over meaningful subjects or stories. Oil paintings became symbols of status for wealthy patrons, shifting the focus of art from conveying deeper meanings to displaying material wealth.
"Such pictures assert two things: that the poor are happy, and that the better-off are a source of hope for the world."
- With this quote, we can see that it talks about paintings portraying happy poor people and hopeful wealthy ones, which reinforces social norms. It shows how art can support existing power dynamics by romanticizing poverty and celebrating wealth, influencing how we see class and status.
Wangechi Mutu Dresses Cultural Critique in Freakishly Beautiful Disguises quotes
Wangechi Mutu: “The art world is not where true urgency exists.”
- We can see that she's critiquing the art world's priorities, suggesting it lacks urgency compared to other societal issues. It's a call for artists and the art world to focus more on pressing social, political, or environmental problems, moving beyond just aesthetics to create impactful art.
Hannah Moch: “Photomontage could be used not merely to produce things heavy with political meaning . . . but . . . one could also regard it as a means of self-expression and eventually arrive at purely aesthetic works.”
- With her own words, she's talks about photomontage being versatile. It can carry political messages or just be about personal expression and aesthetics. This shows how artists can use photomontage for different purposes, depending on what they want to communicate.
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